Born in London, Clark is a UK music producer who has worked across theatre, installation, dance and film.
His records are released on Warp records, Throttle Records and Deutsche Grammophon and his live sets have toured throughout Europe, Asia, Australia and the United States.
Most recently Clark has developed scores for film and TV including The Last Panthers, Kiri and the upcoming Stephen King mini-series Lisey's Story, collaborating with string ensembles and soloists intertwined with his electronic craft.
Chris has frequently collaborated with choreographer Melanie Lane, scoring her works Tilted Fawn, Held, Merge, Nightdance, Re-Make, Wonderwomen, Personal Effigies, Crushd for Nagelhus Schia Productions and Woof for the Sydney Dance Company. Other collaborations for theatre include Macbeth for The Young Vic London and Sentinel for Antony Hamilton/Skanes Dansteater.
His 2015 and 2017 live shows, choreographed by Melanie Lane toured across 35 international venues including Moma PS1 New York, Funkhaus Berlin and Sonar festivals in Barcelona/Istanbul.
Clark's collaborations as sound designer include location based digital artists Blast Theory in Suffolk UK and for Cannes Lions New Directors Showcase. He has completed re-mixes for Massive Attack, Depeche Mode, Max Richter, Thom Yorke, Nils Frahm and Battles.
Clark is a 2020 Green Room Award nominee for his score for Sydney Dance Company's Woof.
We acknowledge the First Nations people as the Traditional Owners of Meanjin (Brisbane).
In the spirit of reconciliation Australasian Dance Collective acknowledges the Traditional Custodians of country throughout Australia and their deep connections to land, sea and community. We pay our respect to their elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.
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